Vol. 1: EPS-16 Factory Bundle

Released in the early 1990s, the EPS-16 represented a new generation of sampling workstations, combining flexible sample editing, performance features, and onboard processing into an accessible and powerful instrument. Its sound is closely tied to that period: a mix of punchy transients, characterful digital aliasing, and textures shaped by the limitations and possibilities of early-'90s sampling technology.

Rather than offering pristine realism, the EPS-16 developed its own identity through transformation — reshaping source material into something more direct, sometimes raw, often distinctive. Its tonal palette sits between clarity and grit, making it particularly well suited to expressive keys, layered textures, and rhythm-driven material.

This OP-1 field sample pack revisits that era by capturing a curated selection of sounds. Each sample has been adapted to fit a modern, portable workflow while preserving the instrument's characteristic tone and behavior. The result is a compact set of sounds that brings early '90s sampling aesthetics into a contemporary context.

Vol. 2: ASR Factory Bundle

Introduced in 1992, the ASR series reflects a mature stage in the evolution of hardware sampling, combining flexible sound shaping, onboard processing, and a refined digital character. Designed with performance in mind, it offered a balance between precision and expressiveness, allowing sounds to evolve with clarity while retaining a distinctive texture shaped by its internal architecture.

Its sonic identity sits in a unique space: more controlled and detailed than earlier samplers, yet still carrying a subtle digital grain that gives it presence and depth. This made it particularly well suited to melodic material, layered textures, and dynamic sample-based compositions.

This OP-1 field sample pack brings that character into a modern format through a curated selection of sounds. Each sample has been adapted to ensure consistency and playability while preserving the tonal imprint of the original instrument. The result is a focused and expressive palette, ready to integrate seamlessly into contemporary production while maintaining the distinctive feel of classic sampling techniques.

Vol. 3: Big'O GM Instruments

General MIDI has long provided a universal foundation for sound compatibility across instruments and systems. This collection revisits that concept in a modern, portable context.

This collection was crafted from the GM programs of a flagship workstation released in 2005. These sounds strike the perfect balance: they respect the General MIDI standard while preserving the natural, high-quality character that made this workstation iconic.

Inside, you'll find 128 stereo sounds, carefully extracted from my archives or digitally re-recorded. Each sample was selected at the pitch that delivers the best tone across at least two octaves (often more). Some sounds feature decays exceeding 9 seconds at C4 for a truly natural fade, while others include meticulously placed loop points for seamless sustain. Fair warning: with 128 high-quality stereo samples, the file size is substantial.

Vol. 4: Big'O Real & Synth E.Piano

Electric pianos have shaped the sound of countless genres — from jazz and soul to pop, funk, and ambient electronica. Whether it's the warm bark of a classic tine piano or the glassy shimmer of a digital EP, these instruments carry decades of musical heritage. For those drawn to the electric piano sounds of the past decades, this sound bank is made with you in mind.

This volume focuses exclusively on electric piano sounds, carefully selected from the legendary flagship workstation released in 2005. Each of the 53 stereo samples was digitally re-recorded to preserve the authentic character and dynamic response of the originals, while being optimized for the OP-1 field.

Every sound was chosen at the pitch that offers the best tone across multiple octaves, with special attention to the natural sustain unique to each instrument. Most samples feature long decays for expressive fades, while others include seamless loop points for sustained playability.

Vol. 5: Big'O Acoustic Piano

Recreating a convincing acoustic piano has long been one of the most demanding challenges in sound design. From the complexity of its harmonic spectrum to the subtleties of velocity response, decay, and resonance, even the most advanced instruments approach it as an ongoing pursuit rather than a solved problem. Each implementation reflects a balance between realism, playability, and character — shaped as much by technical limits as by artistic intent.

This volume focuses exclusively on acoustic piano sounds, carefully selected from the legendary flagship workstation released in 2005. Each of the 18 stereo samples was digitally re-recorded to preserve the authentic character and dynamic response of the originals, while being optimized for the OP-1 field.

Every sound was chosen at the pitch that offers the best tone across multiple octaves, with special attention to the natural sustain unique to each instrument. Most samples feature long decays for expressive fades, while others include seamless loop points for sustained playability.

Vol. 6: WS Performances

This synthesizer, introduced in 1990, emerged from a moment of transition within the world of synthesizers. After the closure of Sequential Circuits, members of its creative team brought with them the legacy of the Prophet VS, whose pioneering vector-based approach to sound had already begun to redefine digital synthesis. These ideas evolved into a new vision of what a synthesizer could be: not just an instrument that produced tones, but one capable of continuous transformation and almost organic evolving textures.

Its signature pads, drifting harmonic layers, and ambient soundscapes quickly became a hallmark of early-'90s electronic and cinematic music. The machine's influence continued long after production ended. Its conceptual DNA can be traced through later successors, carrying forward the idea that a synthesizer can be a world-builder, capable of blending multiple synthesis methods into a single creative platform.

Today, it stands not only as a distinctive instrument of its era but also as a symbol of a deeper philosophy: that sound can tell a story. This sample pack draws on that legacy. By capturing the tonal essence of classic waveforms, it offers musicians a way to explore its unmistakable atmosphere — ready to inspire new compositions.

Vol. 7: J-106 Factory Patches

When this synthesizer appeared in 1984, this synthesizer offered musicians a rare balance of warmth and simplicity. With its six voices, stable digitally controlled oscillators, and unmistakable analog chorus, it quickly earned a place among the most approachable synths of its time. Building on its predecessor's legacy, it invited players into hands-on sound shaping through a straightforward panel that encouraged experimentation rather than menu diving.

Its recognizable tone — smooth pads, rounded basses, shimmering chorus-laden textures — found its way into pop, electronic, and film music alike, embraced by artists across decades for its reliability and character. Even long after production ended, its influence endures through hardware recreations and software emulations that keep its sonic identity alive.

This sample pack captures that essence: the warmth, the clarity, and the musical ease that made this synthesizer a studio staple. While samples cannot reproduce every nuance of the original circuitry, they preserve its signature voice — ready to enrich modern compositions with the timeless charm of one of the most enduring instruments.

Vol. 8: J-60 Factory Patches

Introduced in 1982, this synthesizer quickly became one of the most approachable analog polysynths of its era. It paired six-voice polyphony with digitally controlled oscillators designed for reliable tuning, giving musicians a stable yet unmistakably analog foundation for pads, basses, and melodic lines. With the addition of patch memory, it refined the workflow introduced by its predecessor, making it easier for performers and producers to recall their favourite sounds on demand.

But this synthesizer's signature was its stereo chorus, a built-in effect that expanded its single-oscillator architecture into a lush, immersive soundstage. This combination of warmth, clarity, and subtle movement helped define the tone of '80s pop and electronic music, cementing the instrument's reputation across genres and generations. Its character remained relevant well beyond its original production run, resurfacing in house, techno, indie, and modern synthwave scenes.

This sample pack distills that essence into a curated collection of expressive tones. The samples capture its hallmark elements: smooth chorus-infused pads, solid low-end voices, and the gently textured brightness that gives the synth its charm. While nothing fully replaces the behavior of its original circuitry, this pack brings the spirit and signature sound into a modern portable workflow — ready to enrich productions with a timeless analog identity.

Vol. 9: DX7 Factory Bundle

When this synthesizer arrived in 1983, it redefined what a synthesizer could be. Powered by six-operator FM synthesis, it delivered tones that were brighter, sharper, and more harmonically complex than anything produced by the analog instruments that had dominated the previous decade. Its electric pianos, metallic hits, crystalline pads, and expressive dynamics made it one of the most widely used keyboards of the '80s and one of the most successful synthesizers ever built.

What set it apart wasn't just its new digital architecture, but the musical versatility it brought to studios and stages. It became a go-to instrument across pop, jazz, R&B, film scoring, and early electronic production, shaping the sonic identity of the decade and influencing digital synthesis for years to come.

This sample pack distills its most iconic tones into a collection of ready-to-use sounds: shimmering EPs, resonant plucks, clear FM pads, and tight basses. With these samples, its unmistakable digital character becomes a compact creative tool — polished, versatile, and perfectly suited to contemporary production workflows.

Vol. 10: M1 Factory Presets

Introduced in 1988, this synthesizer became one of the most influential digital workstations of its era, blending PCM-based synthesis, an onboard 8-track sequencer, and a full suite of digital effects into a single, self-contained instrument. Its sound set offered a polished palette of pianos, pads, bells, basses, strings and drums — a set of modern textures that contrasted sharply with the analog designs that had dominated earlier in the decade.

Its presets became instantly recognizable worldwide. The famous piano and organ patches shaped house music and early '90s pop, while atmospheric programs like Universe appeared across film, advertising, and electronic productions. The instrument became one of the bestselling synthesizers ever made, defining the sonic aesthetic of the late '80s and early '90s.

This sample pack distills that signature identity: bright digital keys, shimmering pads, tight drums, and mix-ready textures selected for their musical immediacy. Each sample captures the clean, expressive character that made this instrument a studio staple, offering today's producers a compact way to access the timeless digital sheen that helped shape an entire era of music.

Vol. 11: MM Factory Programs

Introduced in 1982, this polysynth established itself as one of the most imposing polyphonic analog instruments of its era. Built around six voices, each driven by three voltage-controlled oscillators, it delivered a sonic density rarely matched at the time, capable of enormous pads, powerful stacked leads, and richly layered harmonics that became its hallmark.

Beyond its raw tone, the instrument distinguished itself through its architecture: dedicated filters per voice, extensive modulation, and 100 patch memories, giving musicians access to a wide palette while keeping complex sounds manageable in performance and production contexts. As one of the last major analog polyphonics of its generation, it left a distinct mark thanks to its combination of scale, warmth, and unmistakable analog presence.

This sample pack brings the essence of this instrument into a modern workflow. The collection highlights its defining traits: expansive analog pads, commanding unison layers, resonant sweeps, and deep, authoritative basses. Each sample is crafted to retain the instrument's characteristic weight and richness, offering a portable way to tap into the expressive force of this legendary polysynth — now ready to inspire new compositions with timeless analog power.

Vol. 12: JP-8 Factory Patches

Introduced in 1981, this synthesizer became an immediate benchmark for polyphonic analog synthesis. Built around eight voices with dual oscillators and a powerful modulation structure, it delivered a sound that was both expansive and precisely controlled—ideal for wide pads, expressive brass, solid basses, and harmonically rich leads.

Its clarity and balance made it equally effective in studio production and live performance, where layering and split capabilities encouraged complex textures without sacrificing immediacy. Over time, its sonic identity became closely associated with early ’80s electronic and pop music, while continuing to influence later generations of synthesizer design.

This OP-1 field sample pack focuses on capturing the instrument’s core character: spacious analog pads, focused harmonic layers, warm low-end, and the distinctive sense of scale that defined its sound. Carefully translated into a compact format, these samples bring a classic polyphonic voice into a modern, portable workflow — ready to support new compositions with clarity and presence.

Vol. 13: CMI Library 1.3

When the system emerged in 1983, it occupied a category of its own: part sampler, part synthesizer, part compositional environment. It combined the ability to capture and repitch real-world sounds with an onboard pattern sequencer operated through a light pen directly on screen — a workflow that had no real equivalent at the time and that anticipated the logic of digital audio production years before it became standard.

Its influence on recorded music was pervasive and lasting. Presets like SARARR and ORCH2 circulated widely across studios, surfacing in pop, electronic, and hip-hop productions throughout the decade and remaining recognisable to this day. The instrument held a rare dual identity: a tool for capturing the acoustic world and reshaping it into something entirely new.

This sample pack contains the complete set of MODE4 sounds drawn from all 31 floppies of the CMI Sound Library Revision 1.3. Every sample has been carefully restored from its original 14,080 Hz, 8-bit source, cleaned of its inherent quantization noise, deduplicated, repitched, level-matched, and looped for consistent and playable performance.

Rather than recreating the complete system, this pack distills one of its most defining elements: a collection of sounds that helped establish a new sonic language, and that remain immediately recognizable decades later.

Vol. 14: M400 Factory Sounds

Introduced in the early 1970s, this instrument brought a radically different approach to sound generation, using recorded tapes to place orchestral and choral textures directly under the fingers. Each key triggered a short strip of magnetic tape, giving the instrument its unmistakable character — at once organic, fragile, and hauntingly expressive.

Rather than aiming for realism, its sound became iconic for its limitations: slight pitch instability, uneven attacks, and the unmistakable grain of analog tape. These qualities made it a defining presence in progressive rock, film music, and experimental productions, where strings, choirs, and flutes took on an emotional weight unlike any other keyboard instrument of the time.

This OP-1 field sample pack focuses on capturing that essence. The collection highlights its signature textures — tape-based strings, choirs, and winds — preserving their atmospheric depth and imperfect charm while translating them into a consistent, playable format. The result is a compact palette of expressive sounds that brings the distinctive voice of the Mellotron tradition into a modern, portable workflow.